Showing posts with label Edwardian. Show all posts
Showing posts with label Edwardian. Show all posts

Saturday, 31 January 2015

Edwardian 20th Centuary

Fabric and Details
Fabrics stayed the same as the Victorian era with the addition of top-stitching being used on jackets to show off the shape better.


Shirt
Shirt shapes stayed the same as the Victorian era. 

 
Jacket
The correct dress for men during social events was a black frock coat and black silk top hat. On an ordinary day to events such as the races, tweed suits were wore. Prince of Wales disliked how constricting clothes were such as in the military. As he got larger he asked his tailor to make an open version of the frock coat were the sides were attached together by a chain on each side which was far more comfortable. It also highlighted the beautiful waistcoats details.

This suit style went into decline to be replaced by morning coat. Frock coats moved into formal and church wear. Morning coats became popular as they were semi-formal and could be worn through out the day. This did not last long however because by the beginning of the new centenary lounge suits were most worn. This is the suit shape that most modern suits are based on. It was not fitted at the waist unlike the jackets before it, and it was wide at the shoulders with small lapels and for buttons down the front. Chesterfield was considered to be the most elegant of town overcoat.

This was often a single breasted coat, fly-fronted coat with a velvet collar. In both town and country an Ulster, a loose fitting, calf-length, double-buttoning tweed coat with either a half or full belt.

A MacFarlane was a cape-style coat of the sort that Sherlock Holmes would have worn.
By the early twentieth century the Mackintosh made its original head-to-toe 'tent' designed to keep the wearer completely shielded from the weather. This was one of the most popular styles of jacket in the early part of this century.

The lounge jacket became the men's formal wear jacket of choice. This shorter jacket was to later influence evening clothing to create the dinner jacket. When and how Dinner jackets were invented remains open to debate as the English claim it comes from the era of Smoking jackets worn by gentleman when they would smoke cigars in the billiard room as seen in picture to the right. These jackets were heavily brocade or quilted to help take in the odours of the smoke so that when they rejoin the ladies it would not offend their noses...
Another competitor is the American with there claim that it was based of the Tuxedo which was born in Tuxedo Park Club in 1886. It was worn by Criswold Lorillard who cased a scandal as he was in such "informal dress" but he gained many followers as a result.
The French claim the jacket was their own Monte Carlo who wear it to the casino in Riviera during the summer evenings. Agruements aside the dinner jacket was considered the first casual wear for men. The jacket style was always black and was worn at informal family dinners, intimate parties and theatres.The true evening for main still remained top be the black tail coat, waistcoat (white or black), white shirt and white tie. Black ties were worn with dinner jackets. Black trousers and patent leather shoes were worn with both. Over the course of the first decade, dinner jackets started to replace tailcoats which became reserved for only the most formal of occasions.

Lounge suit lost its leisure associations and became the practical base of the modern business suit and wardrobe for white collar workers worldwide. It was only available in dark and muted colours however. This was aided to being popular by the arrival of ready to wear suits. 

Waistcoat

The Prince of Wales Edward made the decision to leave is mark on men's fashion yet again. He decided to lower the height of the waistcoat to revel more of the shirt at the front. The only down side this caused was it meant the starched fronts were more like to get stained. This lower neckline was loved by the Prince as it made it less constricted. The prince on normal waistcoats used to undo the top button of his waistcoat when feeling bloated, this is still a fashion detail that people ahear to today but more so then. As in the Victorian the range of pockets were still widely use with the addiction of ticket pockets and pockets set into a panel seam. Jackets became more commonly single-breasted and the waistcoats started to match the trouser fabric during this era.
Wrist straps with buckles or buttons were added to the back to ensure the best fit after manufacturing so that it didn't need to be permanently altered so it could be worn for longer. This ensured waistcoats in men's fashion; both as informal evening wear and leisurewear from the 1960s onwards.
At the beginning on this century physical exercise and sports became an part of peoples lives; the Prince of Wales again stepped up and promoted a wardrobe which combined practicality and elegance. Because of this he is credited with introducing the Norfolk jacket and wearing of trousers with a crease and turn-ups. He also encourage people of this class to stop changing four times a day to now change twice which to him was more than enough- shooting tweeds for day and dinner. The Norfolk jacket to begin with started to be paired with knickerbocker trousers. These were worn for shooting parties and became adapted for middle classes as a weekend in the country wear.
                      http://blog.fidmmuseum.org/museum/2010/08/norfolk-jacket.html
Trouser cuffs became very popular in this century because it was practical and stylish. Again supported by the Prince of Wales. Tailors started to disagree of whether the cuff of the trouser should break straight across the top of the shoe or  be cut lower to drop over the heel. Oh the struggles of fashion...

Another legend involving the Prince consented his trousers. He was caught in the rain and asked a village tailor to dry then. When they were returned they had a crease pressed into both legs. Before the creases had only been from the knee down but by 1900 long, straight, waist-high creases at the front made available by the arrival of the specially-designed trouser press had become popular.

 
Accessories 


Until the beginning of the 20th century Top hats were the standard dress code for hats, they had there own etiquette and maintenance attached to them.:-
http://en.wikipedia.org/wiki/Top_hat
http://www.wikihow.com/Practice-Male-Hat-Etiquette

At the beginning of the 20th century the Topper (centre) became replace by the bowler or derby (top right). Other popular hats include the Homburg (top left), the Panama and the Boater (bottom left). Boaters became popular with a stripped blazer and flannel trousers became part of the sporting look in 1910s and 1920s.

Ties were allowed to have some colour however any 'peacocky' ornamentation was viewed with suspicion as a possible threat to masculine values.

At the beginning of the 1910s mens fashion entered a new phase called "the speed up" which was a movement of young men who wanted to no longer look like there Victorian fathers. In it's place was a single-breasted jacket with two or three closely spaced buttons, a high, slightly nipped in waist and naturally sloping shoulders, which was worn with narrow, cuffed trousers cut short above the ankle to reveal boots. This became extremely popular. Shoes toes were more rounded. This was when broguing (a decorative pattern of punched holes) became popular. men began to have slight heels and wider laces. Men's body shapes began to change also for a more athletic being the more preferred look.


Notes on Tailoring
In the traditional tailoring trade each garment was made separately by a single worker, a practise known as the 'complete garment system' that continues today in the bespoke tailors of London's Savile Row. In medieval Europe, tailors had been among the first independent craftsmen and had set up their own guilds and associations. Travelling tailors also called at villages and farms, making clothes for entire households before moving to the next village. Know they died out in the 19 century the concept still remained as it was cheaper than owning a store.  Introduction of sewing machine and fabric cutter machinery made it possible to mass produce credible copies of garments that previously, because of the skills required and cost of labour, could only be produced in tailors' workshops. This caused many divisions between tailors and semi-skilled factory workers.

References:-
Men's Fashion in the Twentieth Century from Frock coats to Intelligent Fibres by Maria Costantino
http://lifestyle.howstuffworks.com/style/fashion/trends-looks/100-years-of-mens-fashion.htm#page=1
http://www.costumegallery.com/1910/Men/Suits/
http://www.periodclothing.co.uk/Edwardian_Fashion.htm
http://en.wikipedia.org/wiki/History_of_suits
http://mens-fashion.lovetoknow.com/Smoking_Jacket_for_Men
http://lifestyle.howstuffworks.com/style/fashion/trends-looks/100-years-of-mens-fashion.htm#page=2
http://bespokeunit.com/the-waistcoat-the-history-background/ 
http://en.wikipedia.org/wiki/Collar_%28clothing%29
http://lifestyle.howstuffworks.com/style/fashion/trends-looks/100-years-of-mens-fashion.htm#page=1

Saturday, 7 December 2013

Edwardian 20th Century

This time period was very short only 10 years so the fashions from the Victorian period were still present but
big changes were still a foot. This was the start of when fashions started to change every ten years.

Fabrics which were common during this time were voile, silk, linen and cotton. Bold pattern fabrics like strips became very popular which started to show as pin stripped fabric. Knife pleats, braided trimmings, stitching trim and pin tucks were all widely used for designs.

Women's fashion became more masculine because of suit cut style jackets with wide collars, reveres and lapel jackets. Double darts were often used to add more shape to the front of jackets and often sat wide off the shoulders sometimes the sleeves were cut out in the same piece as the rest of the bodice. Jackets were often cut away or very straight lined. No gathers. Loose blouses with nipped in waists were all the rage; they often had stiff high neck collars. This look kind of reminds me of a pigeon because of the corset pulling the hips back and sticking the gathered chest out. Waists were belted or pulled in with fabric in a bow to show off the tiny waist line. Sleeves started to become three quarter length mostly on blouses and often tight or to the other extreme were they were "leg-of-mutton sleeves". Sleeves on jackets and blouses often had deep cuffs which were buttoned with small pearl white buttons. The difference between day wear and night wear became very obverse. Neck-lines were  low and square and often skirts had layers and were gathered with lots of details similar to the Victorian era.  

Flare skirts with full backs were the most common cut of skirt which was made fuller with a small petticoat with a small bum roll and back ruffles. Hem lines started to rise to around the ankle. After a wile narrow hight waisted skirts with flared hems became worn thus getting rid of the bum rolls which never came back into fashion.
 
There was lots of accessories which were made popular around this time. Spotted veils worn with small hats or fixed to the hair became very fashionable for day wear. Hats with beard trim, massive over sized brim hats with decoration, large brim hats with ostrich feather trims were all the rage. Clothes were kept minimum wile there hats went big and wide brimmed. Bolero became very popular which were small shrugs to pull over the shoulder. Other fabric details included large decorative buttons, bows and decorative seams. Parasols, brooches and  tiered lace ruffle neck scarf were often seen during this time.



Movies and TVs:- Finding Neverland 2004, Titanic 1997, The Importance of Being Earnest (play), Dorian Gray 2009,  Dracula 2013, A Little Princess 1995, The House of Mirth 2000, My Fair Lady (book), The Winslow Boy 1999, Howards End 1999, The Forsyte Saga: To Let 2003,Berkeley Square 1998, The Englishman Who Went Up a Hill But Came Down a Mountain 1995, The Railway Children 2000, Mrs Dalloway 1997


References:-
http://enchantedserenityperiodfilms.blogspot.co.uk/2011/01/edwardian-fashion-image-gallery.html
http://thats-not-victorian.tumblr.com/post/34824134342/womens-fashion-timeline-19th-and-early-20th
http://vintagefashionguild.org/fashion-timeline/
 http://www.tudorlinks.com/treasury/articles/view1900.html
Beautiful reference pictures:- https://www.pinterest.com/americanduchess/edwardian-fashions-1900-19teens/
Pictures of the time:- http://www.retronaut.com/2012/06/street-fashion-in-london-and-paris-1905-1908/

History:- Chaplin, The Titanic Sunk

Monday, 2 December 2013

Edwardian Corset









The straight-front corset, also known as the swan-bill corset, the S-bend corset or the health corset, was worn from circa 1900 to the early 1910s. Its name is derived from the very rigid, straight busk inserted in the centre front of the corset. This corset forced the torso forward and made the hips jut out in back. The straight-front corset was popularised by Inez Gaches-Sarraute, a corsetiere with a degree in medicine. It was intended to be less injurious to wearers' health than other corsets in that it exerted less pressure on the stomach area. However, any benefits to the stomach were more than counterbalanced by injury caused to the back due to the unnatural posture that it forced upon its wearer. At this time, the bust lowered and corsets provided much less support for the breasts.

From 1908 to 1914, the fashionable narrow-hipped and narrow-skirted silhouette necessitated the lengthening of the corset at its lower edge. A new type of corset covered the thighs and changed the position of the hip, making the waist appear higher and wider. The new fashion was considered uncomfortable, cumbersome, and furthermore required the use of strips of elastic fabric. The development of rubberised elastic materials in 1911 helped the girdle replace the corset.