Showing posts with label draping. Jacket Project. Show all posts
Showing posts with label draping. Jacket Project. Show all posts

Tuesday, 5 May 2015

Day Three Jacket Details

I started the day with making up a fitted and gathered sleeve for the jacket. I took a basic sleeve pattern, checked it fit my pattern after I widened the pattern sync. I then split the pattern to tightened the bottom of the sleeve and curved it in inwards so that its more shaped. I extended the top of the head  but 5cm at each section and reshaped the head accordingly. It turned out very well when I inserted it into the arm hole. It's lightly gather which is very nice. I've decided to go with my piping insert for the cuff detail instead of the button cuff detail like from the original jacket. I need to extend the front of the jacket by at least 2 inches so that I can attach buttons or poppers.

I tried a range of pockets shapes and types. I tried a new pocket called a smile pocket used on 17th and 18th century jackets. I will not be using it for this project but it is a wonderfully simple but lovely pocket style.

The details I did decide to use however were a patch pocket with a flap with pipped edging. This pipping detail will continue to the cuff edging with curled detail and to the back with a placket which will have pipped edges and buttons. I have decided to have a lapel with a roll collar so that I can have one or the other. I may also try a hood tomorrow just to make my mind up completely. So tomorrow I should have all the details of the jacket decided, cuff and collar. I will also have adjusted all of my patterns so that I can start to make the jacket from Thursday onwards. I will make up a cutting list and decide of my fabric on Thursday before going to buy it. I think I am going to go for a teal tartan high light fabric for the pocket, cuff and placket maybe or a panel. The main fabric will be grey and the lining will be purple. The pipping will be black or grey.


















Pocket Options for Jacket












Monday, 4 May 2015

Draping Book Techinques

This was sent to be by Gillian. They are taken from a draping book which was published online. They are for bodices and skiirt but they could be applied to jackets and dresses.




Friday, 1 May 2015

Jacket Draping Techinques

Thanks to Gillian I realised my problems with with draping and had a great insight into different way of making the same effect.I need to remember that the process is more important than the final project. This articular is mainly to talk about different of getting fullness to a skirt or in this case a jacket. 
Splitting Pattern:-
So the key thing for this techniques is to decide where you want the flare to come from (bust, waist or hip). In the case of this jacket I wanted the flare to come from the hip. I worked out how many slips I wanted (I find four is a nice number because it helps to shape the pattern again). Make on the splits and the splitting point, you can cut into the line a little to make it sit flat. Measure the amount you want to split each section by and draw round it.

Pleats/Vents:- This is obvious but having pleats in the side seams and back. There are different types of pleats and they can vary in size of pleat and shaping between them. It's just a case of folding the pleats in the way which best suits the design and were you want the extra fabric to fall. The vent helps for the garment to sit open at the back so it sits wider without the extra fabric.

Flaring Panel in all areas before gathering or pleating:-
A method Gillian suggested that extending the side seam before gathering or pleating it back in to the size require before attaching it to the side seam back. This creates a smocking effect like this which could become a cute decorative feature of the jacket depending on the fabric used. Light weight fabric would work best.
Gathering into a pocket:-
Another way to make a jacket have more flare is to have gathering coming from the side pockets.

Bodice top and skirt circle pattern bottom/ Peplum:- This is a simple idea of creating a bodice block and adding in a circle skirt with a wide circle. Depending of the size of the circumference and the section takes for the skirt will depend of the fall of the fabric. It can be gather to the bodice for extra flare or none which can still flow ever nicely. Remember the smaller the inner circle the more drape. The wider the inner circle and the section cut from it the less flare and drape.






Day Two of Draping

So the start to the day wasn't great. When I got the jacket on the stand it wouldn't close at the bust so I opened the side seam and put in an extra 6 inches plus flare to see if that would help. It completely throw the rest of the jacket off apart from the back. Note to self- NEVER DO THAT AGAIN, it adds fabric in when its not needed and misshapes everything else. However it allowed me to have a chance to shape the back and add a box pleat into the back of the jacket. It creates beautiful floaty pleats. The pleats sits on the hip. From playing with the front I've realised I want a straight front with flared sides. I'm looking forward to try out different cuffs and collars next day. Gillian gave me these two books to look at for draping which really helped:- 
Draping Period Costumes: Classical Greek to Victorian by Sharon Sobel


Draping: The Complete Course by Karolyn Kiisel

So after seeing the box pleats and side pleats I shortened the shoulders, took in the back pleats more, took the sides out by 3 inches, slip the bottom of the front side panel (see Drapping entry for details) and tried the mock up again and the difference it made was massive difference. The front sat much nicer with a small flare at the sides but straight at the front. I would even add an extra pleat in the side seam for more of a skirt bottom. I only had to lower the neck point, change the arm hole and adjust the bust dart. I'm very happy with it now so I can progress next week to try techniques for sleeves, cuffs, collar and pockets.



These pictures really helped me today both from Alexander Mcqueen:-