

I managed to put the lining into the jacket all hand stitched and ready to go the only thing I need to complete tomorrow is the button holes at the front. The bias finally turned up so I could finish off the edges of the seams.


I spent the day working on the lining and finer details of the jacket as the seam tape still hasn't arrived and I'm starting to try and think of other options for completing the jacket. I attached the belt piece to the back of the jacket. I stitch fake buttonholes to the belt before stitching a belt on top of them. I placed it between the side back pleats setting the buttons in the centre of the seams.
I moved back onto the lining now that I don't need any more access to the inside of the back of the jacket. I attached the edges of the lining to the jacket and then pressed the seams of the pleats back of themselves so that the lining pleats could sit over them. I then pinned them together while I hand stitched the edge of the lining with a fell stitch. I encountered a problem with the lining at this stage. Lining up the box pleat with the lining and the fact the pleat sits inside the jacket so the lining either needs an extra piece like a semi circle piece to encase the edges of the pleat or bias binding can be attached to enclose the raw edges. I've opted for the bias binding option before placing the back pleats over it. To fix the problem of how the back pleat sits I stitched the lining to the lines of the pleat with white thread until it can be properly ironed and then they can be removed. The lining does however fit which was very encouraging and lines very beautifully inside the jacket which make me very happy. I could have left the bottom edge open but I think the weight is needs for the bottom edge for movement. 
The final part I was able to complete at this time was to gather the sleeve head and attached my rope/cord detail to the edge of my sleeves. I found a pattern online to follow. I left extra for the sleeve edges and used pins to hold the parts in place and the stitched them before hand stitching it to the edges of the sleeves.
So I discovered that the tartan fabric I picked is terrible for stretching... Even though I backed it with calico and the flower lining fabric. It still keeps stretching out of place. The cutting process took me a whole day just to make sure everything was cut and over-locked at the edges to stop the pattern pieces from miss-shaping. Once that was completed the out shell came together very quickly but the Hong Kong finish does take some time to complete and I realised I hadn't bought enough for the whole jacket so I've left the sleeves until last. When researching the Hong Kong finish I found to ways to do the technique. Both of them work, one takes longer than the other but the final out come is noticeably different. See picture above. The top is a technique similar to putting on bias binding with the top stitching visible as the final edge. The other is you iron in half and sew both sides at the same time cutting out time but it does not leave much of the seam visible.
There are loads of examples of other types of lining options that I found when I was in the Costume Store. I was told about this technique called the Hong Kong Finish. Here is a breakdown of the technique:- http://www.craftsy.com/blog/2013/09/hong-kong-seam-finish/ This picture was a good illustration of how the technique works and looks on the side of jackets. It looks lovely in lines in a different colour inside the coat, it looks really nice. I found a lovely example in costume store of a red jacket with a cream seam tape inside. Sometimes the shoulder pads and the interfacing is tacked inside.

This next coat is lined with lining and wool tartan for some warmth. So like the last one the interfacing goes under the arm and caught into the seam. The other fabric is attached from the interfacing down, its however not attached at the bottom and can be removed with the zips at the side.