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Friday, 29 May 2015
Thursday, 28 May 2015
Day 13
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I managed to put the lining into the jacket all hand stitched and ready to go the only thing I need to complete tomorrow is the button holes at the front. The bias finally turned up so I could finish off the edges of the seams.
Day 11-12
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Day 9-10 Lining and Details
I attached the collar and interfacing which sits very very well on the jacket I feel. I'm very happy with it. I am still waiting for more seam tape to finish the sleeve seams. Next time I will buy extra or make triple sure I get enough.
So one of the techniques I feel is very important for this jacket is the stay tape around the centre of the jacket. This ensures the jacket does not stretch out of shape and helps to give structure. I set it just above the pleats of the jackets.and hands stitched it in with cross stitch to allow for movement with the jacket. I decided that putting cotton tape around the jacket edge and hem would be both a waste of time and is unneeded. The jacket is of a substitutional weight and the interfacing gives the front edge enough structure to give a lovely crisp line.
As for the pockets I had to change the possession of them because they didn't match the tartan very well so it looked off. So I relined up my pocket away from my tailor markings I'd done in red. I attached them with an edge stitch on the patch and a simple straight stitch on the flap. I had to do a small zig-zag stitch at the edge to secure the edges as the edges of the lining were still rare and this helped to enclose them. I hand stitched the small Chinese knot buttons to the edge to close the pocket. A simpler style to the 18th century knots and cord details I'd looked at previously.
I next started on the lining. The most common way to line pleats is to cut them slightly bigger (1.5cm bigger)so that when it's put together it creates a pocket for the whole pleat to sit in wit it's seams edges together. I went for the option of making it the exact same as the button of the coat and folding the pleat edges back. Lining comes together very quickly. It's just putting it in that's the problem. You have to let the lining sit at least 1cm short so that it falls shorter than the edge of the hem line so it isn't seen.
So one of the techniques I feel is very important for this jacket is the stay tape around the centre of the jacket. This ensures the jacket does not stretch out of shape and helps to give structure. I set it just above the pleats of the jackets.and hands stitched it in with cross stitch to allow for movement with the jacket. I decided that putting cotton tape around the jacket edge and hem would be both a waste of time and is unneeded. The jacket is of a substitutional weight and the interfacing gives the front edge enough structure to give a lovely crisp line.
As for the pockets I had to change the possession of them because they didn't match the tartan very well so it looked off. So I relined up my pocket away from my tailor markings I'd done in red. I attached them with an edge stitch on the patch and a simple straight stitch on the flap. I had to do a small zig-zag stitch at the edge to secure the edges as the edges of the lining were still rare and this helped to enclose them. I hand stitched the small Chinese knot buttons to the edge to close the pocket. A simpler style to the 18th century knots and cord details I'd looked at previously.
I next started on the lining. The most common way to line pleats is to cut them slightly bigger (1.5cm bigger)so that when it's put together it creates a pocket for the whole pleat to sit in wit it's seams edges together. I went for the option of making it the exact same as the button of the coat and folding the pleat edges back. Lining comes together very quickly. It's just putting it in that's the problem. You have to let the lining sit at least 1cm short so that it falls shorter than the edge of the hem line so it isn't seen.
Monday, 25 May 2015
Day 6-8
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Justaucorps Coat Cut List
List of Fabrics ect required:-
~ Calico (for mock up and backing) 5m:- 3.99x5= £15.96
~ Top Fabric- £6.99x3= £20.97
~ Buttons for front 6:- £1.99
~ Seam Binding= 2.09 for 3 metre x 4= £8.36
~ Pipping 1m from ebay :- £1.95
~ Cord 1m from ebay:- £1.75
~ Highlight Fabric- remnant kings £6.99x2= £13.98
~ Lining Fabric- remnant kings £5.99x1= 5.99
Cotton tape for hem and pleats=
~ Cord Fastenings for Pockets:- Bought from Ebay at £2 for 4
~Shoulder Pads x2
Cut List:-
Tartan Fabric:-
Front Centre panels x2
Collar x2
Cuffs x4
Pocket flap x4
Centre back pleat x1
Grey Fabric:-
Front interfacing x2
Front side panels x2
Back side panels x2
Centre back panels x 2
Patch pocket x2
Sleeve head x2
Back placket x2
Flower Fabrics
Half front centre panel x2
Half front side panel x2
Half back side panel x2
Half back centre panel x2
Cuff x2
Sleeve x2
Lining Fabric
Pleat section
Centre front skirt
Side front skirt
Side back skirt
Centre back skirt
Calico Everything
Interfacing
Front interfacing x 2
Flap pocket x2
Back placket x1
Cuff x 2
Collar x1
~ Calico (for mock up and backing) 5m:- 3.99x5= £15.96
~ Top Fabric- £6.99x3= £20.97
~ Buttons for front 6:- £1.99
~ Seam Binding= 2.09 for 3 metre x 4= £8.36
~ Pipping 1m from ebay :- £1.95
~ Cord 1m from ebay:- £1.75
~ Highlight Fabric- remnant kings £6.99x2= £13.98
~ Lining Fabric- remnant kings £5.99x1= 5.99
Cotton tape for hem and pleats=
~ Cord Fastenings for Pockets:- Bought from Ebay at £2 for 4
~Shoulder Pads x2
Cut List:-
Tartan Fabric:-
Front Centre panels x2
Collar x2
Cuffs x4
Pocket flap x4
Centre back pleat x1
Grey Fabric:-
Front interfacing x2
Front side panels x2
Back side panels x2
Centre back panels x 2
Patch pocket x2
Sleeve head x2
Back placket x2
Flower Fabrics
Half front centre panel x2
Half front side panel x2
Half back side panel x2
Half back centre panel x2
Cuff x2
Sleeve x2
Lining Fabric
Pleat section
Centre front skirt
Side front skirt
Side back skirt
Centre back skirt
Calico Everything
Interfacing
Front interfacing x 2
Flap pocket x2
Back placket x1
Cuff x 2
Collar x1
Thursday, 14 May 2015
Hong Kong Finish
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There are other options like half lining in the top as shown in the picture below. It looks more like an extended interfacing with seamed edges and going around the sleeve. The interfacing is attached into the side seams. This allows the bottom to be free and does not give any weight. This is often seen on rain coats.
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Day 5 Pattern solved
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They jacket is finally complete and looks good. We finally
solved the problem of the extra fabric across the bust. We opened the shoulder
seam and took the top of the sleeve head out and then arranged the shoulder and
extra fabric so that it went into the sleeve there for removing the fabric and
moving the sleeve up to its normal point. The difference that made was massive,
obviously I had then made on extra fabric at the neck line to reshape because
everything had been pulled to the side but it worked very well. I then re-cut
the basic collar I’d cut before and then added fabric to lengthen and reshape.
The process took some time but it was worth it when I saw the finally outcome.
Now just to decide on my manufacturing process. I’ve decided to definitely use
cotton tape of the edges of the coat to not lonely weight it but also because
it gives a cleaner edge during construction.
I have several options in ways to manufacture:-
- To finish off the seams inside with a full Hong Kong finish (see other entry for details). This would mean not lining it properly however it means that it can’t only be backed in calico but because of the seam tape it would save time. There would still be an interfacing for the cuff, front panel and back neck line. I would need to make sure my hand sewing round these edges and the hem were very neat. I would also have to think about weighting the bottom edge so it can swish better and hold its shape. It also gives the edges of the right side a top stitch look because you can top stick the tape so it had a double line of stitching which could look nice.
- The other option is to fully line the jacket, I will need to look over how you can line pleats again, and I’d also have to cut out lining patterns.
- To half-line the jacket at either the top or bottom (most likely at the bottom for the weight) this could allow the top to remain light weight while allowing the bottom to have more weight for movement. It would also allow me to use both techniques.
Friday, 8 May 2015
Day 4-6 of Jacket (Pattern Madness)
Nearly there just to fix the collar. It's taken far much longer than it should have to fix this coat. Part of it was me missing things that were obvious. Some is because it's a period jacket so the fit on me is very different. I still need to take out some of the volume in the front and get the fabric. I am getting samples for Monday because by the end of Monday and I want to have a plan of starting to make up the jacket. Start cutting on Tuesday.
Thursday, 7 May 2015
Jacket Design and Fabric
Notes:-
~Cuff, pocket flap and back placket will all be pipped in black or teal.
~The knot tutorial refers to the detail at the point of the cuff.
~Buttons/fastenings have not been chosen yet.
~Fastenings for pocket have been bought.
~Still need to decide of the shape of the lining. Purple fabric is the lining.
Tuesday, 5 May 2015
Day Three Jacket Details
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I tried a range of pockets shapes and types. I tried a new pocket called a smile pocket used on 17th and 18th century jackets. I will not be using it for this project but it is a wonderfully simple but lovely pocket style.
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Monday, 4 May 2015
Draping Book Techinques
This was sent to be by Gillian. They are taken from a draping book which was published online. They are for bodices and skiirt but they could be applied to jackets and dresses.
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